Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling's '3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648)' came out on September 1, 2010. With 3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. 3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM | ||
La pentola magica, P. 129: Finale | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Ponteio | Claudio Santoro, Orquestra Sinfônica Do Estado De São Paulo, John Neschling | A Minor | 1 | 8A | 100 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Coronation Orchestra, Antonio Pappano | C Minor | 1 | 5A | 83 BPM | ||
Charterhouse Suite: I. Prelude | Ralph Vaughan Williams, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 2 | 9A | 72 BPM | ||
Serenade for Strings in E Major, Op. 22: I. Moderato | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | D Major | 9 | 10B | 167 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Orchestral Suite No. 1, RT VI/6: II. Berceuse | Frederick Delius, BBC Concert Orchestra, John Andrews | G Major | 0 | 9B | 133 BPM |
Section: 0.6671156883239746
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