"La pentola magica, P. 129: Finale" by Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano was released on February 25, 1992. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Respighi: Astuzie De Columbina (Le) / La Pentola Magica". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, La pentola magica, P. 129: Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La pentola magica, P. 129: Finale by Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alpensymphonie, Op.64: Gewitter und Sturm, Abstieg | Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli | D♭ Major | 3 | 3B | 80 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
4 Liriche su parole di poeti armeni, P. 132 (arr. Adriano): Mattino di luce | Ottorino Respighi, Adriano, Vladimir Havran, Gabriel Koncer, Frantisek Kovacs, Ivan Paulicka, Michal Sintal, Denisa Šlepkovská, Katarina Vavrekova, Ivan Viskup | B♭ Major | 1 | 6B | 83 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: IV. Finale | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Adam Zero: Adam's Fates | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 3 | 7A | 118 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Jamaica [Jamaica, Land We Love, "Eternal Father, Bless Our Land…"] | Slovak Radio Symphony Orchestra, Peter Breiner | C Major | 2 | 8B | 80 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Dances of the Young Girls | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | D Major | 0 | 10B | 92 BPM |
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