On April 12, 1994, the song "3 Utwory w dawnym stylu (3 Pieces in Old Style): II. —" was released by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit. The duration of 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. —'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit's "Górecki: Symphony No. 3 - 3 Olden Style Pieces" album is number 5 out of 6. On top of that, Hong Kong appears to be the country where this track was created. The popularity of 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Violins, Op. 10: I. Allegro molto | Henryk Górecki, Tippett Quartet, John Mills, Jeremy Isaac | D♭ Major | 0 | 3B | 88 BPM | ||
Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | ||
The Protecting Veil: The Annunciation | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | G Major | 1 | 9B | 100 BPM | ||
Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Prelude (Re Mineur) (Abel) | Jordi Savall | D Minor | 0 | 7A | 110 BPM | ||
Mazurkas for Piano, Op. 41 | Henryk Górecki, Anna Gorecka | F♯ Major | 0 | 2B | 70 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM |
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