"Prelude (Re Mineur) (Abel)" by Jordi Savall was released on January 1, 1998. The duration of Prelude (Re Mineur) (Abel) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Prelude (Re Mineur) (Abel)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "Les Voix Humaines" album is number 1 out of 21. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Prelude (Re Mineur) (Abel) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude (Re Mineur) (Abel) by Jordi Savall to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folia (Obra de 1er Tono, N. 10) | Pedro de San Lorenzo, Jordi Savall | D Minor | 1 | 7A | 83 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Concert XLI: Le Retour | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Major | 1 | 8B | 70 BPM | ||
The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
L'Orfeo, Atto secondo: V. Tu se’ morta | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 82 BPM | ||
Maurerische Trauermusik, K 477 | Wolfgang Amadeus Mozart, Jordi Savall | C Major | 0 | 8B | 131 BPM | ||
Don Juan ou le Festin de pierre, Wq. 52: 2. Andante | Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations | A Minor | 1 | 8A | 120 BPM | ||
Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM |
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