"Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6" by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker had its release date on September 7, 2009. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #15 out of 38 tracks. Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Act II: Una furtiva lagrima ... Un solo instante | Gaetano Donizetti, Enrico Caruso | B♭ Major | 2 | 6B | 71 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
Ebony Concerto: III. Moderato - Con moto | Igor Stravinsky, Benny Goodman | C Major | 2 | 8B | 126 BPM |