"Hahn: 20 Mélodies: No. 20 À Chloris" by Philippe Jaroussky was released on October 29, 2012. The duration of Hahn: 20 Mélodies: No. 20 À Chloris is about 3 minutes long, at 3:04. Based on our data, "Hahn: 20 Mélodies: No. 20 À Chloris" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Hahn: 20 Mélodies: No. 20 À Chloris is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hahn: 20 Mélodies: No. 20 À Chloris by Philippe Jaroussky having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vorrei spiegarvi, oh Dio, K.418 | Wolfgang Amadeus Mozart, Patricia Petibon, Concerto Köln, Daniel Harding | A Major | 1 | 11B | 98 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
Youkali | Kurt Weill, Ludwig Orchestra, Barbara Hannigan | D Minor | 2 | 7A | 115 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Bellini: Norma, Act 1: Casta diva (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore Veneziani | F Major | 2 | 7B | 83 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM |
Section: 0.6902718544006348
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