"Addio del passato - Violetta" by Giuseppe Verdi, Anna Netrebko was released on January 1, 2005. Addio del passato - Violetta is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. This song is part of VIOLETTA - Arias and Duets from Verdi's La Traviata by Giuseppe Verdi, Anna Netrebko. The song's track number on the album is #20 out of 25 tracks. In terms of popularity, Addio del passato - Violetta is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Addio del passato - Violetta by Giuseppe Verdi, Anna Netrebko has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Addio del passato - Violetta being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 1 | 6B | 113 BPM | ||
Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Puccini: Gianni Schicchi - O, mio babbino caro | Kiri Te Kanawa, Stephen Barlow, London Symphony Orchestra | A♭ Major | 2 | 4B | 97 BPM | ||
Rigoletto / Act 3: La donna è mobile | Giuseppe Verdi, Joseph Calleja, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 3 | 2B | 76 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | F Major | 1 | 7B | 73 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM |
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