1 | ![Symphony No. 2 (1933): First movement: Sostenuto by Kurt Weill, Mariss Jansons, Berliner Philharmoniker]() | Symphony No. 2 (1933): First movement: Sostenuto | Kurt Weill, Mariss Jansons, Berliner Philharmoniker | D♭ Minor | 12A | 136 |
1 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Introduction: Meine Schwester und ich stammen aus Louisiana by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Introduction: Meine Schwester und ich stammen aus Louisiana | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | B♭ Minor | 3A | 76 |
2 | ![Symphony No. 2 (1933): - Allegro molto by Kurt Weill, Mariss Jansons, Berliner Philharmoniker]() | Symphony No. 2 (1933): - Allegro molto | Kurt Weill, Mariss Jansons, Berliner Philharmoniker | F Minor | 4A | 154 |
2 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | F Minor | 4A | 90 |
3 | ![Symphony No. 2 (1933): Second movement: Largo by Kurt Weill, Mariss Jansons, Berliner Philharmoniker]() | Symphony No. 2 (1933): Second movement: Largo | Kurt Weill, Mariss Jansons, Berliner Philharmoniker | G Minor | 6A | 127 |
3 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | B♭ Minor | 3A | 105 |
4 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Zorn (Anger): Das geht nicht vorwärts by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Zorn (Anger): Das geht nicht vorwärts | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | C Minor | 5A | 102 |
4 | ![Symphony No. 2 (1933): Third movement: Allegro vivace by Kurt Weill, Mariss Jansons, Berliner Philharmoniker]() | Symphony No. 2 (1933): Third movement: Allegro vivace | Kurt Weill, Mariss Jansons, Berliner Philharmoniker | A Minor | 8A | 129 |
5 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | D Minor | 7A | 81 |
5 | ![Concerto for Violin and Wind Orchestra Op. 12 (1924): First movement: Andante con moto by Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker]() | Concerto for Violin and Wind Orchestra Op. 12 (1924): First movement: Andante con moto | Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker | B♭ Minor | 3A | 78 |
6 | ![Concerto for Violin and Wind Orchestra Op. 12 (1924): Second movement: - NOTTURNO Allegro un poco tenuto by Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker]() | Concerto for Violin and Wind Orchestra Op. 12 (1924): Second movement: - NOTTURNO Allegro un poco tenuto | Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker | C Minor | 5A | 83 |
6 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Unzucht (Lechery): Und wir fanden einen Mann by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Unzucht (Lechery): Und wir fanden einen Mann | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | B Major | 1B | 83 |
7 | ![Concerto for Violin and Wind Orchestra Op. 12 (1924): - CADENZA Moderato by Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker]() | Concerto for Violin and Wind Orchestra Op. 12 (1924): - CADENZA Moderato | Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker | B♭ Major | 6B | 80 |
7 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Habsucht (Avarice): Wie hier in der Zeitung steht by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Habsucht (Avarice): Wie hier in der Zeitung steht | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | D Minor | 7A | 91 |
8 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Neid (Envy): Und die letzte Stadt by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Neid (Envy): Und die letzte Stadt | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | B♭ Major | 6B | 119 |
8 | ![Concerto for Violin and Wind Orchestra Op. 12 (1924): - SERENATA Allegretto by Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker]() | Concerto for Violin and Wind Orchestra Op. 12 (1924): - SERENATA Allegretto | Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker | A♭ Major | 4B | 118 |
9 | ![Concerto for Violin and Wind Orchestra Op. 12 (1924): Third movement: Allegro molto, un poco agitato by Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker]() | Concerto for Violin and Wind Orchestra Op. 12 (1924): Third movement: Allegro molto, un poco agitato | Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker | G Minor | 6A | 137 |
9 | ![Die Sieben Todsünden, '(The) Seven Deadly Sins': Finaletto: Darauf kehrten wir zurück nach Louisiana by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon]() | Die Sieben Todsünden, '(The) Seven Deadly Sins': Finaletto: Darauf kehrten wir zurück nach Louisiana | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | E♭ Major | 5B | 127 |
10 | ![Ballad Of Mack The Knife by Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta]() | Ballad Of Mack The Knife | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta | D Minor | 7A | 83 |
10 | ![Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 1 Allegro giusto by Kurt Weill, Mariss Jansons, Berliner Philharmoniker]() | Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 1 Allegro giusto | Kurt Weill, Mariss Jansons, Berliner Philharmoniker | F Minor | 4A | 153 |
11 | ![Weill: Rise and Fall of the City of Mahagonny (Suite): No. 2, Moderato assai by Kurt Weill, Mariss Jansons, Berliner Philharmoniker]() | Weill: Rise and Fall of the City of Mahagonny (Suite): No. 2, Moderato assai | Kurt Weill, Mariss Jansons, Berliner Philharmoniker | D Major | 10B | 142 |
11 | ![Cannon Song by Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta]() | Cannon Song | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta | F♯ Minor | 11A | 100 |
12 | ![Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 3 by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker]() | Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 3 | Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker | E Major | 12B | 179 |
12 | ![Barbara Song by Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta]() | Barbara Song | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta | F Minor | 4A | 131 |
13 | ![Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 4 Lento by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker]() | Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 4 Lento | Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker | A Minor | 8A | 81 |
13 | ![Polly's Song by Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta]() | Polly's Song | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta | G Major | 9B | 167 |
14 | ![Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker]() | Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 5 Molto vivace | Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker | D Major | 10B | 105 |
14 | ![The Threepenny Opera (in English) (1981 Digital Remaster): The Ballad of Sexual Obsession (with orchestra) by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney/John Constable, Dominic Muldowney, London Sinfonietta]() | The Threepenny Opera (in English) (1981 Digital Remaster): The Ballad of Sexual Obsession (with orchestra) | Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney/John Constable, Dominic Muldowney, London Sinfonietta | A♭ Major | 4B | 95 |
15 | ![Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker]() | Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 | Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker | C Major | 8B | 85 |
15 | ![Second Threepenny Finale by Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta]() | Second Threepenny Finale | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta | B Minor | 10A | 97 |
16 | ![Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 7 Largo by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker]() | Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 7 Largo | Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker | B Minor | 10A | 78 |
16 | ![The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium) by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney/John Constable, Dominic Muldowney, London Sinfonietta]() | The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium) | Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney/John Constable, Dominic Muldowney, London Sinfonietta | A Minor | 8A | 151 |
17 | ![Alabama Song (from Mahagonny) - 1986 Remastered Version by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta]() | Alabama Song (from Mahagonny) - 1986 Remastered Version | Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta | E Minor | 9A | 156 |
18 | ![Epitaph 1919 - 1981 Remastered Version by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta]() | Epitaph 1919 - 1981 Remastered Version | Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta | E Minor | 9A | 98 |
19 | ![Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling) by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta]() | Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling) | Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta | C Minor | 5A | 158 |
20 | ![Bilbao Song by Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta]() | Bilbao Song | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta | B♭ Major | 6B | 103 |
21 | ![Johnny Johnson: Johnny's Song, 'When man was first created' by Kurt Weill, Thomas Hampson, London Sinfonietta, John McGlinn]() | Johnny Johnson: Johnny's Song, 'When man was first created' | Kurt Weill, Thomas Hampson, London Sinfonietta, John McGlinn | D Major | 10B | 97 |
22 | ![This is the life from Love Life by Kurt Weill, Thomas Hampson, London Sinfonietta, John McGlinn]() | This is the life from Love Life | Kurt Weill, Thomas Hampson, London Sinfonietta, John McGlinn | C Major | 8B | 80 |