Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon's 'Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia' had a release date set for September 7, 2009. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #5 out of 38 tracks. Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | ||
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | F♯ Minor | 0 | 11A | 198 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM | ||
Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" | Georges Bizet, Jonas Kaufmann, Ludovic Tezier, Bertrand de Billy | E♭ Major | 2 | 5B | 174 BPM | ||
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai) | Kurt Weill, Members Of The London Symphony Orchestra, Michael Tilson Thomas | A Minor | 1 | 8A | 177 BPM | ||
Die Dreigroschenoper: Akt I, Liebeslied ("Siehst du den Mond über Soho?") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Minor | 0 | 6A | 97 BPM |