- BPM
- 174
- Key
- E♭ Major
- Camelot
- 5B
Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" - Georges Bizet, Jonas Kaufmann, Ludovic Tezier, Bertrand de Billy Information
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 19%
- Instrumentalness
- 4%
- Liveness
- 10%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 14%
- Loudness
- -16.528 dB
Summary
"Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint"" by Georges Bizet, Jonas Kaufmann, Ludovic Tezier, Bertrand de Billy had its release date on September 15, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jonas Kaufmann's "L'Opéra" album is number 5 out of 14. The popularity of Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" BPM
We consider the tempo marking of Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" by Georges Bizet, Jonas Kaufmann, Ludovic Tezier, Bertrand de Billy to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | |
 | Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | |
 | La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | |
 | Les Indes galantes : Les Sauvages - Danse du Calumet de la Paix et duo Forêts paisibles | Jean-Philippe Rameau, Emmanuelle Haïm, Le Concert d'Astrée, Natalie Dessay, Stéphane Degout | F♯ Minor | 3 | 11A | 81 BPM | |
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | |
 | Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | B♭ Major | 0 | 6B | 90 BPM | |
 | Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | |
 | De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 1 | 6A | 71 BPM | |
 | Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | |
| Le docteur Miracle: Scene 8: Duo: En votre aimable compagnie (Laurette, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 1 | 7B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records