"Rinaldo / Act 2: Lascia ch'io pianga" by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. With this song being about 5 minutes long, at 4:45, "Rinaldo / Act 2: Lascia ch'io pianga" by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 12 out of 82. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Rinaldo / Act 2: Lascia ch'io pianga is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo / Act 2: Lascia ch'io pianga by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Catone in Utica, RV 705 / Act 2: "Se mai senti spirarti sul volto" | Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi | E♭ Major | 1 | 5B | 87 BPM | ||
Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | G Minor | 2 | 6A | 106 BPM | ||
Ave Maria (Ellen's Gesang) D.839 | Barbara Hendricks, Stockholm Chamber Orchestra, Erik Lundkvist, Eric Ericson | B♭ Major | 0 | 6B | 102 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Dixit Dominus: Dixit Dominus: Coro "Dixit Dominus" | George Frideric Handel, Akademie für Alte Musik Berlin, Malcolm Bennet, Vocalconsort Berlin, Hélène Guilmette, Marcus Creed, Andreas Scholl | F♯ Minor | 4 | 11A | 108 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Ines di Castro: "Cari giorni" (Romanza der Ines) | Giuseppe Persiani, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | A♭ Minor | 1 | 1A | 113 BPM |
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