"De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version" by Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra had its release date on January 6, 2012. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 15 in Bizet: Les Pêcheurs des Perles by Georges Bizet, Georges Prêtre. De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version by Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620: Act I No. 2: Arie - Der Vogelfanger bin ich ja | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 72 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Adagio - Spartacus | Aram Khachaturian, Royal Liverpool Philharmonic Orchestra, Libor Pešek | A♭ Major | 1 | 4B | 116 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
La Traviata: Overture | André Rieu, Johann Strauss Orchestra | B Major | 2 | 1B | 123 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | F♯ Minor | 0 | 11A | 78 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM |