Vier letzte Lieder, TrV 296: 4. Im Abendrot by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur

Song Analysis

Audio information that is featured on Vier letzte Lieder, TrV 296: 4. Im Abendrot by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur.

Acousticness

99%

Energy

8%

Liveness

9%

Speechiness

4%

Danceability

8%

Instrumentalness

81%

Loudness

60%

Valence

3%

Harmonic Matches

Find songs that harmonically matches to Vier letzte Lieder, TrV 296: 4. Im Abendrot by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
The Rise and Fall of the City of Mahagonny: Alabama-Song by Kurt Weill, Lotte Lenya, Roger BeanThe Rise and Fall of the City of Mahagonny: Alabama-SongKurt Weill, Lotte Lenya, Roger BeanB♭ Major36B163
Le nozze di Figaro, K. 492 / Act 3: Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto"Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl BöhmB♭ Major16B80
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) by Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von KarajanMadama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus)Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von KarajanB♭ Major06B78
Fanfare for the Common Man by Aaron Copland, London Symphony OrchestraFanfare for the Common ManAaron Copland, London Symphony OrchestraB♭ Major26B55
Sheep May Safely Graze by Johann Sebastian Bach, Leon FleisherSheep May Safely GrazeJohann Sebastian Bach, Leon FleisherB♭ Major06B98
Adès: Les baricades mistérieuses by Thomas Adès, Composers EnsembleAdès: Les baricades mistérieusesThomas Adès, Composers EnsembleB♭ Major06B132
Musica ricercata: No. 7, Cantabile, molto legato by György Ligeti, Pierre-Laurent AimardMusica ricercata: No. 7, Cantabile, molto legatoGyörgy Ligeti, Pierre-Laurent AimardB♭ Major06B110
Act II: Una furtiva lagrima ... Un solo instante by Gaetano Donizetti, Enrico CarusoAct II: Una furtiva lagrima ... Un solo instanteGaetano Donizetti, Enrico CarusoB♭ Major26B71
3 Pieces in Baroque Style: No. 1. Aria by Krzysztof Penderecki, Sinfonia Varsovia3 Pieces in Baroque Style: No. 1. AriaKrzysztof Penderecki, Sinfonia VarsoviaB♭ Major06B76
Four Last Songs: IV. At Sunset by Richard Strauss, Rafael Frühbeck de Burgos, London Symphony OrchestraFour Last Songs: IV. At SunsetRichard Strauss, Rafael Frühbeck de Burgos, London Symphony OrchestraB♭ Major16B70
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin)Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben DaviesB♭ Major16B90
Fanfare for the Common Man by Aaron Copland, Los Angeles Philharmonic, Zubin MehtaFanfare for the Common ManAaron Copland, Los Angeles Philharmonic, Zubin MehtaB♭ Major26B73

Vier letzte Lieder, TrV 296: 4. Im Abendrot by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur Information

This song is track #4 in Strauss, R.: Four Last Songs, etc. by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur, which has a total of 10 tracks. The duration of this track is 9:53 and was released on January 1, 1983. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Vier letzte Lieder, TrV 296: 4. Im Abendrot might be one of them, due to it's low energy and danceability.

Vier letzte Lieder, TrV 296: 4. Im Abendrot BPM

Vier letzte Lieder, TrV 296: 4. Im Abendrot has a BPM of 78. Since this track has a tempo of 78, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Vier letzte Lieder, TrV 296: 4. Im Abendrot Key

The key of Vier letzte Lieder, TrV 296: 4. Im Abendrot is B♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

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