Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta's 'Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling)' had a release date set for September 7, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #19 out of 38 tracks. Based on our statistics, Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling) by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta has a tempo of 158 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling) being at 158 BPM, the half-time would be 79 BPM with a double-time of 316 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Les Filles de Cadix | Léo Delibes, Fatma Said | F♯ Minor | 1 | 11A | 87 BPM | ||
Die Dreigroschenoper: Moritat von Mackie Messer | Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe | A Minor | 2 | 8A | 152 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Souvenir de Porto Rico (Marcha De Los Jibaros), Op. 31, RO 250 | Louis Moreau Gottschalk, Simon Ghraichy | E♭ Minor | 2 | 2A | 101 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Die Dreigroschenoper: Akt II, Die Zuhälterballade ("In einer Zeit, die nun vergangen ist") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 130 BPM | ||
Sleep | Ivor Gurney, Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM |