Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques made "Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude" available on May 1, 2006. With Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tragédiennes". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude by Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT44: Les sauvages - Arr. for Voice & Piano | Jean-Philippe Rameau, Théophile Alexandre, Guillaume Vincent, Chantal Santon Jeffery | F♯ Minor | 2 | 11A | 95 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
Suite en Sol: Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 97 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Couplets de folies (Arr. Horsch for Recorder & Lute) | Marin Marais, Lucie Horsch, Thomas Dunford | E♭ Minor | 1 | 2A | 84 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Zaïde, reine de Grenade: Acte III, scène 3 - Air de Zaïde: Dieu des amants fidèles | Joseph-Nicolas-Pancrace Royer, Véronique Gens, Christophe Rousset, Les Talens Lyriques | D Minor | 1 | 7A | 129 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM |
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