Jean-Philippe Rameau, Alexandre Tharaud made "Suite en Sol: Les Sauvages" available on 2001. With Suite en Sol: Les Sauvages being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Rameau: "Nouvelles suites"". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Suite en Sol: Les Sauvages is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite en Sol: Les Sauvages by Jean-Philippe Rameau, Alexandre Tharaud having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Barbara / Arr Tharaud: Pierre (Prelude) [Arr. Tharaud for Piano] | Barbara, Alexandre Tharaud | C Major | 0 | 8B | 64 BPM | ||
The Seasons, Op. 37a, TH 135: 6. June: Barcarolle | Pyotr Ilyich Tchaikovsky, Brigitte Engerer | G Minor | 1 | 6A | 105 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
Introduction et Rondo Capriccioso, Op.28 | Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 93 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM |
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