- BPM
- 152
- Key
- A Minor
- Camelot
- 8A
Die Dreigroschenoper: Moritat von Mackie Messer - Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe Information
- Acousticness
- 94%
- Danceability
- 34%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 51%
- Popularity
- 12%
- Loudness
- -19.962 dB
Summary
Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe made "Die Dreigroschenoper: Moritat von Mackie Messer" available on March 29, 1999. The duration of Die Dreigroschenoper: Moritat von Mackie Messer is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Die Dreigroschenoper: Moritat von Mackie Messer's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kurt Weill, Ensemble Modern, H.K. Gruber's "Kurt Weill: Die Dreigroschenoper" album is number 2 out of 28. Based on our statistics, Die Dreigroschenoper: Moritat von Mackie Messer's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Die Dreigroschenoper: Moritat von Mackie Messer BPM
We consider the tempo marking of Die Dreigroschenoper: Moritat von Mackie Messer by Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
Die Dreigroschenoper: Moritat von Mackie Messer Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bethena - A Concert Waltz | Scott Joplin, Joshua Rifkin | G Major | 2 | 9B | 134 BPM | |
 | Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | |
 | Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 76 BPM | |
 | The 7 Deadly Sins: V. Gluttony | Kurt Weill, SWR Rundfunkorchester Kaiserslautern, Julius Pfeifer, Alexander Yudenkov, Bernhard Hartmann, Torsten Müller, Grzegorz Nowak | G Major | 1 | 9B | 84 BPM | |
 | Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | |
 | Klezmer Dances | Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | D Minor | 2 | 7A | 90 BPM | |
 | Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | |
 | Clowns and Kids Suite (arr. F. Strobel): III. Acrobats | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | D Minor | 3 | 7A | 98 BPM | |
 | The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | |
 | Piano Concerto No.1 for piano, trumpet & strings, Op.35: 4. Allegro con brio | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | A♭ Major | 4 | 4B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7742245197296143
End: 0.7779967784881592