"Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder")" by Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg was released on 1958. With Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #11 out of 26 tracks. Based on our data, United States was the country where this track was produced or recorded. Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") by Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Instead-Of-Song - The Threepenny Opera/1954 Original Broadway Cast/Remastered | Bertolt Brecht, Marc Blitzstein, Kurt Weill, Martin Wolfson, Charlotte Rae | B♭ Major | 1 | 6B | 149 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Der Lindberghflug: In der Nacht kam ein Schneesturm | Kurt Weill, Wolfgang Schmidt, Heribert Feckler, Lorenz Minth, Christoph Scheeben, Cologne Pro Musica Vocal Ensemble, Cologne Radio Orchestra, Jan Latham-Koenig | A Major | 2 | 11B | 145 BPM | ||
Die Zeit in der Rosen blüh'n | Johanna von Koczian | B♭ Major | 4 | 6B | 113 BPM | ||
Der Tod und das Mädchen, D. 531 (Op.7/3) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Allerseelen, Op.10, No.8 | Richard Strauss, Barbara Bonney, Malcolm Martineau | E♭ Major | 0 | 5B | 129 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" | Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 85 BPM | ||
Benatzky & Stolz: Im weißen Rößl: "Mein Liebeslied muss ein Walzer sein" (Doktor Siedler, Ottilie) | Ralph Benatzky, Robert Stolz, Diana Damrau, Jonas Kaufmann, Ernst Theis, Das Münchner Rundfunkorchester | C Major | 2 | 8B | 92 BPM |
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