Darius Milhaud, Ludmila Peterková, Irina Kondratenko made "Scaramouche, Op. 165: III. Brazileira" available on March 23, 2007. The duration of Scaramouche, Op. 165: III. Brazileira is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Scaramouche, Op. 165: III. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Playful Clarinet". In this album, this song's track order is #8. The popularity of Scaramouche, Op. 165: III. Brazileira is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Scaramouche, Op. 165: III. Brazileira by Darius Milhaud, Ludmila Peterková, Irina Kondratenko having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad´s Ship. Largo maestoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | E Major | 0 | 12B | 83 BPM | ||
Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 137 BPM | ||
Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | ||
Elgar / Arr. Nakariakov for Flugelhorn and Piano: Salut d'amour, Op. 12 | Edward Elgar, Sergei Nakariakov, Maria Meerovitch | G Minor | 0 | 6A | 75 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Ibert: 3 Pièces brèves: III. Assez lent - Allegro Scherzando | Jacques Ibert, Les Vents Français, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | B Major | 1 | 1B | 78 BPM | ||
Trio for Clarinet, Violin and Piano in G Minor: I. Andante con dolore, molto espressione | Aram Khachaturian, Ludmila Peterková, Gabriela Demeterová, Marketa Cibulkova | G Minor | 1 | 6A | 94 BPM |
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