"Symphony No. 2 (1933): - Allegro molto" by Kurt Weill, Mariss Jansons, Berliner Philharmoniker had its release date on September 7, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #2 out of 38 tracks. Based on our statistics, Symphony No. 2 (1933): - Allegro molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 2 (1933): - Allegro molto by Kurt Weill, Mariss Jansons, Berliner Philharmoniker has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Symphony No. 2 (1933): - Allegro molto being at 154 BPM, the half-time would be 77 BPM with a double-time of 308 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarcord - Suite: 1. Danzando nella nebbia | Nino Rota, Filarmonica della Scala, Riccardo Chailly | C Major | 3 | 8B | 128 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Bergakungen, Op. 37: Vallflickans dans | Hugo Alfvén, Swedish Radio Symphony Orchestra, Stig Westerberg | G Major | 1 | 9B | 152 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
Das Eifersuchtsduett (2.Akt) (Erste Wolken am Himm | Bertolt Brecht, Kurt Weill | C Major | 3 | 8B | 120 BPM | ||
Histoire du soldat - Part 1: 1. Marche du soldat | Igor Stravinsky, London Sinfonietta, Riccardo Chailly | B Minor | 2 | 10A | 121 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
The Barber of Seville, Overture | Gioachino Rossini, The King's Singers | D Major | 1 | 10B | 147 BPM |