Igor Stravinsky, London Sinfonietta, Riccardo Chailly's ' "Histoire du soldat - Part 1: 1. Marche du soldat" was released on its scheduled release date, January 1, 1991. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Stravinsky: The Soldier's Tale; Divertimento etc". In this album, this song's track order is #10. Based on our statistics, Histoire du soldat - Part 1: 1. Marche du soldat's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Histoire du soldat - Part 1: 1. Marche du soldat by Igor Stravinsky, London Sinfonietta, Riccardo Chailly having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Danse sacrée et danse profane, L. 103: I. Danse sacrée | Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez | F Major | 0 | 7B | 110 BPM | ||
The Sea: I. Seascape | Frank Bridge, Ulster Orchestra, Vernon Handley | F♯ Minor | 1 | 11A | 86 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | D Major | 5 | 10B | 114 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Concerto for Orchestra, BB 123: V. Finale | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | E Major | 2 | 12B | 77 BPM |