"Oberon, J.306: Ouvertüre" by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik was released on January 1, 2006. Since Oberon, J.306: Ouvertüre is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Oberon by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik. The song's track number on the album is #1 out of 42 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Oberon, J.306: Ouvertüre's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oberon, J.306: Ouvertüre by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Oberon, J.306: Ouvertüre being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: Prelude to Act 1. Langsam und smachtend - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 1 | 8B | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Symphony No. 6 in A Minor "Tragic": III. Scherzo: Wuchtig | Gustav Mahler, Bavarian Radio Symphony Orchestra, Daniel Harding | F Major | 1 | 7B | 111 BPM | ||
Concerto for Violin and Orchestra in D Major, Op. 35: III. Finale. Allegro vivacissimo | Isaac Stern | D Major | 2 | 10B | 83 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Carmen Suite (After Bizet's WD 31): VII. Intermezzo II [Live] | Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons | A♭ Major | 2 | 4B | 85 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture (Live) | Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini | C Major | 3 | 8B | 115 BPM | ||
Symphony No. 3 in D, D.200: IV. Presto. Vivace | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | D Major | 3 | 10B | 98 BPM | ||
The Firebird Suite (1945 Version): X. Finale [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Major | 1 | 11B | 176 BPM |
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