Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons made "Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka" available on 1997. With Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Shostakovich: Symphony No. 11 "The Year 1905", Jazz Suites & Tahiti Trot". In this album, this song's track order is #6. Based on our statistics, Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka by Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
"West Side Story" - Symphonic Dances: I. Prologue - Live | Leonard Bernstein, Los Angeles Philharmonic | F Major | 3 | 7B | 119 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Horn Concerto, Op.8: 1. Allegro molto | Franz Strauss, Barry Tuckwell, London Symphony Orchestra, István Kertész | E♭ Major | 1 | 5B | 101 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 2 | 4B | 87 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM |
Section: 0.691155195236206
End: 0.6953272819519043