"Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka]" by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti was released on January 1, 2003. Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Renée Fleming: By Request". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester | B♭ Major | 1 | 6B | 131 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Symphony No. 5: IV. Adagietto: Sehr langsam | Gustav Mahler, London Symphony Orchestra, James DePreist | C Major | 2 | 8B | 127 BPM | ||
Kyrie (excerpt) from Missa Solemnis in D Major, Op. 123 - Voice | Ludwig van Beethoven, Sir Georg Solti, London Symphony Orchestra | D Major | 1 | 10B | 74 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, János Starker, London Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 85 BPM |
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