- BPM
- 131
- Key
- B♭ Major
- Camelot
- 6B
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) - Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 31%
- Loudness
- -18.136 dB
Summary
"Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino)" by Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester was released on February 10, 2004. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rolando Villazón's "Italian Opera Arias" album is number 4 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) BPM
We consider the tempo marking of Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) by Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | |
 | Soirées musicales: 8. La Danza - Remastered 2013 | Gioachino Rossini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 4 | 7B | 73 BPM | |
 | La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | |
 | Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | |
| L'elisir d'amore / Act II: "Eccola!" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 82 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | |
 | Delibes: Lakmé, Act 1: Flower Duet - "Dôme épais le jasmin" (Lakmé, Mallika) | Léo Delibes, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | |
| Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, José Cura, Olga Borodina, London Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | |
 | Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Zweiter Akt: Rechtes Bein und linkes Bein - | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | F Major | 5 | 7B | 122 BPM |
- ISRC
- GBAYC0302380
- Label
- L-M Records/RCA Records
Section: 0.7322890758514404
End: 0.7375943660736084