Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine's 'L'elisir d'amore / Act II: "Eccola!"' came out on January 1, 1990. With L'elisir d'amore / Act II: "Eccola!" being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 33 in Donizetti: The Elixir of Love by Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine. L'elisir d'amore / Act II: "Eccola!" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'elisir d'amore / Act II: "Eccola!" by Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Puccini: Madama Butterfly, Act 1: "Viene la sera" (Butterfly, Pinkerton, Suzuki) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Lucie Danieli, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano | A Major | 1 | 11B | 80 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Anna Bolena: Act II: Coppia iniqua, l'estrema vendetta (Anna, Chorus) | Gaetano Donizetti, Orchestra Del Teatro Alla Scala, Milano, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni | B Minor | 7 | 10A | 83 BPM | ||
Stabat Mater: Cujus animam | Orchestra of the Accademia di Santa Cecilia, Rome, Carlo Maria Giulini, Luciano Pavarotti | A♭ Major | 2 | 4B | 93 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | D♭ Major | 2 | 3B | 82 BPM |
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