Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto' came out on January 1, 1993. La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto appears to be safe for all ages as it is not explicit. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #14. Based on our statistics, La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto by Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vanne, o rosa fortunata | Vincenzo Bellini, Cecilia Bartoli, James Levine | F♯ Major | 1 | 2B | 75 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Cantate con me | Cesare Andrea Bixio, Luciano Pavarotti, Andrea Griminelli, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B♭ Major | 3 | 6B | 86 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "Mario Cavaradossi? A voi." (Carceriere, Cavaradossi) | Giacomo Puccini, Dario Caselli, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) | Giacomo Puccini, Maria Callas, Anna Moffo, Antonino Votto, Carlo Badioli, Giuseppe Di Stefano, Manuel Spatafora, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Rolando Panerai | A Major | 2 | 11B | 80 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese (Duca, Borsa) | Giuseppe Verdi, Luciano Pavarotti, Paul Groves, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 128 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 90 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 4: No. 6, Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Stabat Mater: 5. Eja Mater fons amoris | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | F Major | 0 | 7B | 136 BPM |
Section: 0.7685256004333496
End: 0.7727482318878174