Gioachino Rossini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge made "Soirées musicales: 8. La Danza - Remastered 2013" available on July 24, 2020. The duration of Soirées musicales: 8. La Danza - Remastered 2013 is about 3 minutes long, at 3:07. Based on our data, "Soirées musicales: 8. La Danza - Remastered 2013" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gioachino Rossini's "Lavorare con Rossini" album is number 1 out of 31. On top of that, United Kingdom appears to be the country where this track was created. Soirées musicales: 8. La Danza - Remastered 2013 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Soirées musicales: 8. La Danza - Remastered 2013 by Gioachino Rossini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Il Gladiatore | Hans Zimmer, Luciano Pavarotti, Bulgarian Symphony Choir, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra, Rob Mathes | E Minor | 4 | 9A | 84 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Luciano Pavarotti, Leone Magiera | A♭ Major | 2 | 4B | 68 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
La Bohème, Act 3: In un coupé? | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Vito Mattioli, Luciano Pavarotti | G Major | 2 | 9B | 79 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | F♯ Major | 1 | 2B | 66 BPM | ||
I Capuleti e i Montecchi, Act I: Vanne, Lorenzo; e tu, che il puoi - Live in Amsterdam, 1966 | Vincenzo Bellini, Luciano Pavarotti, Nicola Zaccaria, Coro del Teatro Comunale di Bologna, Residentie Orkest, Claudio Abbado | C Major | 1 | 8B | 98 BPM |
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