Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai's 'Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira)' came out on 1950. With Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 6 in Callas sings Arias from Tristano e Isotta, Norma & I puritani - Callas Remastered by Vincenzo Bellini, Maria Callas. In terms of popularity, Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) by Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Tosca, Act II: Vissi d'arte | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | E♭ Major | 1 | 5B | 67 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) [Live] | Richard Wagner, Maria Callas, Africo Baldelli, Vittorio Gui, Orchestra di Roma della RAI | D Minor | 1 | 7A | 67 BPM | ||
Il Pirata, Act II: Arresta | Vincenzo Bellini, Felice Romani, Franco Vassallo, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Presto! Su, Mario!" (Tosca, Sciarrone, Spoletta, Chorus) | Giacomo Puccini, Maria Callas, Angelo Mercuriali, Dario Caselli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Bellini: Norma, Act 1: "Ah! si! fa core e abbracciami" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 91 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
La Wally, Act I: Ebben? Ne andro lontana | Alfredo Catalani, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | E Major | 1 | 12B | 79 BPM |
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