"Kol Nidrei, Op. 47" by Max Bruch, János Starker, London Symphony Orchestra, Antal Doráti was released on January 1, 1962. Since Kol Nidrei, Op. 47 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 4 in Dvořák: Cello Concerto in B Minor, Bruch: Kol Nidrei (The Mercury Masters, Vol. 1) by János Starker, Antonín Dvořák, London Symphony Orchestra, Max Bruch, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Kol Nidrei, Op. 47 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kol Nidrei, Op. 47 by Max Bruch, János Starker, London Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) | Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta Gulyás | G Major | 1 | 9B | 90 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM | ||
Sonata for Cello and Piano in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Camille Thomas, Julien Libeer | F♯ Minor | 1 | 11A | 76 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk | E♭ Major | 0 | 5B | 90 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
A Gift Of A Thistle | James Horner, London Symphony Orchestra | A Minor | 0 | 8A | 170 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 2. Andante sostenuto e molto cantabile | Antonín Dvořák, London Symphony Orchestra, István Kertész | D Major | 1 | 10B | 125 BPM |
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