"Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino)" by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra was released on January 1, 1998. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Saint-Saëns: Cello Concerto No.1; Cello Sonata No.1; Suite, Op. 16; Le Cygne From Le Carnival Des Animaux; Allegro Apassionato, Op. 43; Romance In F Major, Op. 36". In this album, this song's track order is #8. Based on our statistics, Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Variations on a theme by Corelli | Samuel Sanders, Itzhak Perlman | F Major | 3 | 7B | 92 BPM | ||
Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Aria | Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky | G Major | 1 | 9B | 87 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | D♭ Major | 1 | 3B | 121 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. by Sandquist) | Robert Schumann, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 86 BPM | ||
Oboe Concerto in C Major, K. 314: I. Allegro aperto - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 121 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 73 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM |
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