"Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo" by Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson was released on July 30, 2014. Since Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tchaikovsky: Piano Concerto No.2 in G Major, Op. 44 (original version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Australia. Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo by Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Songs My Mother Taught Me from Gypsy Melodie, Op. 55 | Yo-Yo Ma, Patricia Zander | C Minor | 0 | 5A | 98 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM |
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