"The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies")" by Edvard Grieg, Yo-Yo Ma, Kathryn Stott was released on 2015. The duration of The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #15. The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") by Edvard Grieg, Yo-Yo Ma, Kathryn Stott having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Introduction et Polonaise brillante in C Major, Op. 3 | Frédéric Chopin, Emanuel Ax | C Major | 1 | 8B | 114 BPM | ||
Song Without Words, Op. 109 | Felix Mendelssohn, Yo-Yo Ma, Emanuel Ax | D Major | 1 | 10B | 130 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Wiegenlied, S. 198 | Franz Liszt, Khatia Buniatishvili | A Minor | 0 | 8A | 67 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Yo-Yo Ma, Emanuel Ax | E♭ Major | 0 | 5B | 85 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Lady Caliph: Nocturne | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 3 | 8A | 90 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM |
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