Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta Gulyás's 'Triakontameron: No. 11. Alt-Wien (arr. for violin and piano)' came out on July 15, 2014. The duration of Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Triakontameron: No. 11. Alt-Wien (arr. for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz, Vilmos Szabadi's "Heifetz: Transcriptions, Vol. 1" album is number 8 out of 22. On top of that, Hungary appears to be the country where this track was created. In terms of popularity, Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) by Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta Gulyás to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Violin Concerto in D, Op. 35: Canzonetta: Andante | Pyotr Ilyich Tchaikovsky, Jascha Heifetz, Fritz Reiner | D Major | 1 | 10B | 107 BPM | ||
Violin Concerto, Op. 77, in D: Adagio | Johannes Brahms, Jascha Heifetz, Serge Koussevitzky | D Major | 4 | 10B | 75 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Drigo Serenade - from Les Millions d'Arlequin: Drigo | Mela Tenenbaum | D Major | 1 | 10B | 139 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Violin Concerto in D Major, Op. 35: II. Romance | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 102 BPM |
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