"Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio" by Anton Arensky, The Rembrandt Trio was released on January 1, 1991. With this song being about 5 minutes long, at 5:08, "Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio" by Anton Arensky, The Rembrandt Trio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Tchaikovsky, P.I.: Piano Trio, Op. 50 / Arensky, A.S.: Piano Trio No. 1 (The Rembrandt Trio)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio by Anton Arensky, The Rembrandt Trio having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia (Adagio) | Anton Arensky, Trio Wanderer | A Major | 2 | 11B | 103 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Piano Trio in A Minor, Op. 50: II. Theme and Variations: Variation 4 | Pyotr Ilyich Tchaikovsky, The Rembrandt Trio | D♭ Minor | 0 | 12A | 92 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Cancons i danses: Canco i dansa No. 6 | Federico Mompou, Olena Kushpler | E♭ Minor | 1 | 2A | 64 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk | E♭ Major | 0 | 5B | 90 BPM |
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