"Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh)" by Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu was released on February 15, 1999. Since Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rautavaara: Cantus Arcticus / Piano Concerto No. 1 / Symphony No. 3". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) by Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
Númenor | Anthony Wilson, Royal Scottish National Orchestra, Robert Ziegler | C Major | 2 | 8B | 126 BPM | ||
Ikonit (Icons), Op. 6: Blakernajan musta Jumalanaiti (The Black Madonna of Blakernaya) | Einojuhani Rautavaara, Laura Mikkola | G Minor | 2 | 6A | 90 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Medea Suite, Op. 23: I. Parodos | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
Adams: Two Fanfares for Orchestra: II. Short Ride in a Fast Machine | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 5 | 6B | 146 BPM | ||
Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn | Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden | A Minor | 1 | 8A | 95 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Boris Giltburg, Royal Scottish National Orchestra, Carlos Miguel Prieto | B♭ Minor | 3 | 3A | 119 BPM | ||
Gnossiennes - Orch. Poulenc: No.3 | Erik Satie, Orchestre National De France, Charles Dutoit | A Minor | 0 | 8A | 75 BPM | ||
Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM |
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