1 | ![Cooke: Alma proles regina (From British Library MS 57950]() | Cooke: Alma proles regina (From British Library MS 57950 "Old Hall Manuscript") | John Cooke, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner | F Major | 7B | 77 |
2 | ![Dunstable: Crux fidelis by John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner]() | Dunstable: Crux fidelis | John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner | F Major | 7B | 77 |
3 | ![Forest: Qualis est dilectus meus (From British Library MS 57950]() | Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer) | John Forest, Pro Cantione Antiqua, Bruno Turner | F Major | 7B | 77 |
4 | ![Dunstable: O crux gloriosa by John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner]() | Dunstable: O crux gloriosa | John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner | F Major | 7B | 77 |
5 | ![Pycard: Gloria II (From British Library MS 57950]() | Pycard: Gloria II (From British Library MS 57950 "Old Hall Manuscript") | Pycard, Pro Cantione Antiqua, Bruno Turner | F Major | 7B | 77 |
6 | ![Damett: Salve porta paradisi (From British Library MS 57950]() | Damett: Salve porta paradisi (From British Library MS 57950 "Old Hall Manuscript") | Thomas Damett, Pro Cantione Antiqua, Bruno Turner | F Major | 7B | 77 |
7 | ![Dunstable: Gaude virgo salutata by John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner]() | Dunstable: Gaude virgo salutata | John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner | F Major | 7B | 77 |
8 | ![Power: Credo II (From British Library MS 57950]() | Power: Credo II (From British Library MS 57950 "Old Hall Manuscript") | Leonel Power, Pro Cantione Antiqua, Bruno Turner | F Major | 7B | 77 |
9 | ![Dunstable: Albanus roseo rutilat by John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner]() | Dunstable: Albanus roseo rutilat | John Dunstable, Pro Cantione Antiqua, Alan Cuckston, Bruno Turner | F Major | 7B | 77 |
10 | ![Chirbury: Agnus Dei (From British Library MS 57950]() | Chirbury: Agnus Dei (From British Library MS 57950 "Old Hall Manuscript") | Robert Chirbury, Pro Cantione Antiqua, Bruno Turner | F Major | 7B | 77 |
11 | ![Weelkes: Madrigals to 3-6 Voices: No. 15, Those Sweet Delightful Lilies by Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell]() | Weelkes: Madrigals to 3-6 Voices: No. 15, Those Sweet Delightful Lilies | Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
12 | ![Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 3, Some Men Desire Spouses by Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell]() | Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 3, Some Men Desire Spouses | Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
13 | ![Ward: The First Set of English Madrigals: No. 19, Retire, My Troubled Soul by John Ward, Pro Cantione Antiqua, Geoffrey Mitchell]() | Ward: The First Set of English Madrigals: No. 19, Retire, My Troubled Soul | John Ward, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
14 | ![Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds by Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell]() | Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds | Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
15 | ![Byrd: Psalmes, Songs, and Sonnets: No. 19, Come Woeful Orpheus by William Byrd, Pro Cantione Antiqua, Geoffrey Mitchell]() | Byrd: Psalmes, Songs, and Sonnets: No. 19, Come Woeful Orpheus | William Byrd, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
16 | ![Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 6, Come, Sirrah Jack, Ho! by Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell]() | Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 6, Come, Sirrah Jack, Ho! | Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
17 | ![Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease by John Ward, Pro Cantione Antiqua, Geoffrey Mitchell]() | Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease | John Ward, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
18 | ![Morley: Madrigals to Four Voices: No. 18, Die Now, My Heart by Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell]() | Morley: Madrigals to Four Voices: No. 18, Die Now, My Heart | Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
19 | ![Tomkins: Songs of 3-6 Parts: No. 8, O Let Me Die for True Love by Thomas Tomkins, Pro Cantione Antiqua, Geoffrey Mitchell]() | Tomkins: Songs of 3-6 Parts: No. 8, O Let Me Die for True Love | Thomas Tomkins, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
20 | ![Wilbye: The First Set of Madrigals: No. 10, Lady, When I Behold by John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell]() | Wilbye: The First Set of Madrigals: No. 10, Lady, When I Behold | John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
21 | ![Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 1, Come, Let's Begin to Revel't Out by Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell]() | Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 1, Come, Let's Begin to Revel't Out | Thomas Weelkes, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
22 | ![Pilkington: Second Set of Madrigals and Pastorals: No. 19, Care for Thy Soul by Francis Pilkington, Pro Cantione Antiqua, Geoffrey Mitchell]() | Pilkington: Second Set of Madrigals and Pastorals: No. 19, Care for Thy Soul | Francis Pilkington, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
23 | ![Wilbye: The Second Set of Madrigals: No. 15, As Matchless Beauty by John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell]() | Wilbye: The Second Set of Madrigals: No. 15, As Matchless Beauty | John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
24 | ![Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes by John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell]() | Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes | John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
25 | ![Morley: Canzonets or Little Short Aers: No. 16, You Black Bright Stars by Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell]() | Morley: Canzonets or Little Short Aers: No. 16, You Black Bright Stars | Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
26 | ![Tomkins: Songs of 3-6 Parts: No. 9, Oyez, Has Any Found a Lad? by Thomas Tomkins, Pro Cantione Antiqua, Geoffrey Mitchell]() | Tomkins: Songs of 3-6 Parts: No. 9, Oyez, Has Any Found a Lad? | Thomas Tomkins, Pro Cantione Antiqua, Geoffrey Mitchell | F Major | 7B | 77 |
27 | ![Pilkington: The First Booke of Songs or Ayres: No. 17, Diaphenia Like the Daffdowndilly by Francis Pilkington, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Pilkington: The First Booke of Songs or Ayres: No. 17, Diaphenia Like the Daffdowndilly | Francis Pilkington, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |
28 | ![Jones: Ultimum vale: No. 12, Thinkst thou Kate to Put Me Downe by Robert Jones, James Griffett, Christopher Wilson]() | Jones: Ultimum vale: No. 12, Thinkst thou Kate to Put Me Downe | Robert Jones, James Griffett, Christopher Wilson | A Major | 11B | 69 |
29 | ![Pilkington: The First Booke of Songs or Ayres: No. 16, Down-a-Down by Francis Pilkington, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Pilkington: The First Booke of Songs or Ayres: No. 16, Down-a-Down | Francis Pilkington, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |
30 | ![Dowland: The Second Booke of Songs or Ayres: No. 17, A Shepherd in a Shade by John Dowland, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Dowland: The Second Booke of Songs or Ayres: No. 17, A Shepherd in a Shade | John Dowland, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |
31 | ![Dowland: The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies by John Dowland, Ian Partridge, Christopher Wilson, William Hunt]() | Dowland: The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies | John Dowland, Ian Partridge, Christopher Wilson, William Hunt | F Major | 7B | 77 |
32 | ![Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding by John Dowland, Pro Cantione Antiqua, Ian Partridge]() | Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding | John Dowland, Pro Cantione Antiqua, Ian Partridge | F Major | 7B | 77 |
33 | ![Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail by Thomas Campion, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail | Thomas Campion, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |
34 | ![Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 20, Jack and Jone by Thomas Campion, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 20, Jack and Jone | Thomas Campion, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 131 |
35 | ![Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face by Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face | Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |
36 | ![Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie by Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie | Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |
37 | ![Dowland: The Third and Last Booke of Songs or Aires: No. 17, I Must Complain by John Dowland, Pro Cantione Antiqua, Ian Partridge]() | Dowland: The Third and Last Booke of Songs or Aires: No. 17, I Must Complain | John Dowland, Pro Cantione Antiqua, Ian Partridge | F Major | 7B | 77 |
38 | ![Campion: Second Book of Ayres Contayning Light Conceits of Lovers: No. 19, A Secret Love by Thomas Campion, Pro Cantione Antiqua, Christopher Wilson, Ian Partridge]() | Campion: Second Book of Ayres Contayning Light Conceits of Lovers: No. 19, A Secret Love | Thomas Campion, Pro Cantione Antiqua, Christopher Wilson, Ian Partridge | C Minor | 5A | 115 |
39 | ![Dowland: A Pilgrims Solace: No. 2, Sweet, Stay Awhile by John Dowland, Pro Cantione Antiqua, Ian Partridge]() | Dowland: A Pilgrims Solace: No. 2, Sweet, Stay Awhile | John Dowland, Pro Cantione Antiqua, Ian Partridge | F Major | 7B | 77 |
40 | ![Dowland: Mr. Dowland's Midnight, P. 99 by John Dowland, Christopher Wilson]() | Dowland: Mr. Dowland's Midnight, P. 99 | John Dowland, Christopher Wilson | F Major | 7B | 77 |
41 | ![Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part by John Dowland, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge]() | Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part | John Dowland, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge | F Major | 7B | 77 |