John Dowland, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge's 'Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part' had a release date set for March 17, 2023. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 41 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part by John Dowland, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elizabeth and Essex - The Earl of Essex's Galliard | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 94 BPM | ||
Tedesca - Saltarello | Giorgio Mainerio, Ulsamer Collegium, Josef Ulsamer | E Minor | 1 | 9A | 85 BPM | ||
Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
Fortune My Foe, P. 62 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Ricercare No. 7 - Balletto - De tous biens pleine - La Spagna: Recercar sesto - Balletto - De tous biens pleine - La Spagna | Vincenzo Capirola, Jakob Lindberg | C Major | 1 | 8B | 107 BPM | ||
Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
Jay pris amours | Francesco Spinacino, Shirley Rumsey, Christopher Wilson | B♭ Major | 1 | 6B | 137 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM |