"Fantasy For 2 Trebles And Bass (From "The Broken Consort")" by Matthew Locke, John Holloway, Monika Baer, Martin Zeller was released on March 21, 2014. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Pavans And Fantasies From The Age Of Dowland". In this album, this song's track order is #10. In terms of popularity, Fantasy For 2 Trebles And Bass (From "The Broken Consort") is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasy For 2 Trebles And Bass (From "The Broken Consort") by Matthew Locke, John Holloway, Monika Baer, Martin Zeller having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
The Little Consort, Suite No. 6 in F Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 81 BPM | ||
Sonata "Victori der Christen" A minor | Heinrich Ignaz Franz von Biber, John Holloway, Aloysia Assenbaum-Holloway, Lars Ulrik Mortensen | B Major | 2 | 1B | 82 BPM | ||
Abdelazer, Z. 570: No. 5, Minuett | Henry Purcell, John Holloway, Orchester Le Phenix | F♯ Minor | 2 | 11A | 90 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
Sonata for Violin Solo No.1 in G minor, BWV 1001: 2. Fuga (Allegro) | Johann Sebastian Bach, John Holloway | F♯ Minor | 1 | 11A | 54 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM |
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