Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge's 'Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face' had a release date set for March 17, 2023. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 35 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face by Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
Tant que vivray | Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 72 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
Du tout plongiet / Fors seulement | Antoine Brumel, The Gesualdo Six, Owain Park | C Minor | 1 | 5A | 90 BPM | ||
Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
O stella caeli | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM |