John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell's 'Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes' had a release date set for March 17, 2023. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes by John Wilbye, Pro Cantione Antiqua, Geoffrey Mitchell is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria | Wayne Hubbard | E♭ Minor | 1 | 2A | 171 BPM | ||
Versa est in luctum | Alonso Lobo, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Salve regina: II. Eia ergo | Jean L'héritier, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 76 BPM | ||
La Favolla d'Apollo: 11. Dal vago e bel sereno a 6 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | D Minor | 1 | 7A | 77 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | ||
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
Flora Gave Me Fairest Flowers | John Wilbye, I Fagiolini, Robert Hollingworth | A Minor | 1 | 8A | 77 BPM | ||
Anima mia, perdona | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | D Minor | 1 | 7A | 129 BPM |