"Dulces exuviae" by Marbrianus de Orto, Capilla Flamenca, Patrick Denecker was released on October 18, 1999. The duration of Dulces exuviae is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Dulces exuviae's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 17 in A-La-Mi-Re Manuscripts (The): Flemish Polyphonic Treasures by Capilla Flamenca. Dulces exuviae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dulces exuviae by Marbrianus de Orto, Capilla Flamenca, Patrick Denecker is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Messa Della Domenica: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 0 | 2A | 112 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
M. Giles Hoby his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | C Minor | 1 | 5A | 104 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM | ||
A Plaine song for 2 Lutes | Thomas Robinson, Ronn McFarlane, William Simms | G Major | 1 | 9B | 117 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Cancionero Musical de la Colombina: No. 48,, Dime triste coraçón | Francisco de la Torre, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 91 BPM |
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