Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell's 'Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds' had a release date set for March 17, 2023. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds by Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
Nolo mortem peccatoris | The Choir of Magdalen College, Oxford, John Harper, Thomas Morley | G Minor | 0 | 6A | 108 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM |