Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds
Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell
Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs
2:04 March 17, 2023
BPM
77
Key
F Major
Camelot
7B

Embed

Share Link

Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds - Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell Information

Acousticness
99%
Danceability
17%
Energy
11%
Instrumentalness
0%
Liveness
10%
Loudness
64%
Speechiness
5%
Valence
22%
Popularity
Loudness
-21.867 dB

Summary

Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell's 'Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds' had a release date set for March 17, 2023. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds BPM

The tempo marking of Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds by Thomas Morley, Pro Cantione Antiqua, Geoffrey Mitchell is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
In Nomine No. 20, 'Crye' by Christopher Tye, The Rose Consort Of ViolsIn Nomine No. 20, 'Crye'Christopher Tye, The Rose Consort Of ViolsD♭ Minor112A98 BPM
Herr, wenn ich nur dich habe, SWV 280 by Heinrich Schütz, Vox Luminis, Lionel MeunierHerr, wenn ich nur dich habe, SWV 280Heinrich Schütz, Vox Luminis, Lionel MeunierA Minor18A85 BPM
Jam sauche by Pierre de la Rue, Capilla Flamenca, Patrick DeneckerJam sauchePierre de la Rue, Capilla Flamenca, Patrick DeneckerF Minor14A93 BPM
Terpsichore*: Gaillarde by Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil FärnlofTerpsichore*: GaillardeMichael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil FärnlofG Minor06A63 BPM
Nolo mortem peccatoris by The Choir of Magdalen College, Oxford, John Harper, Thomas MorleyNolo mortem peccatorisThe Choir of Magdalen College, Oxford, John Harper, Thomas MorleyG Minor06A108 BPM
Maudit soyt by Heinrich Isaac, Capilla Flamenca, Patrick DeneckerMaudit soytHeinrich Isaac, Capilla Flamenca, Patrick DeneckerE♭ Major15B50 BPM
Tallis: Spem in Alium - 2. in Tribulatione Dimittis by The Tallis Scholars, Peter PhillipsTallis: Spem in Alium - 2. in Tribulatione DimittisThe Tallis Scholars, Peter PhillipsB Minor210A78 BPM
Frogg Galliard by Hopkinson Smith, John DowlandFrogg GalliardHopkinson Smith, John DowlandG Major29B119 BPM
6 Chansons: No. 6. Verger by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed6 Chansons: No. 6. VergerPaul Hindemith, SWR Vokalensemble Stuttgart, Marcus CreedC Minor35A133 BPM
Canzon seconda by Giovanni Gabrieli, Flanders Recorder QuartetCanzon secondaGiovanni Gabrieli, Flanders Recorder QuartetA♭ Major04B66 BPM
ISRC
DEA808000013
Label
L-M Records/RCA Records