Giovanni Gabrieli, Flanders Recorder Quartet's 'Canzon seconda' came out on April 1, 2006. The duration of Canzon seconda is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Canzon seconda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Recorder Quartet: Early Italian Recorder Music & English Consort Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. Canzon seconda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canzon seconda by Giovanni Gabrieli, Flanders Recorder Quartet having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Courtly Masquing Ayres: No. 4 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Sua Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 1 | 12A | 135 BPM | ||
Canzoni fantasie et correnti da suonar: Vestiva i Colli da Giovanni Pierluigi da Palestrina | Bartolomé de Selma y Salaverde, Galatea, Paul Beier | A Minor | 2 | 8A | 140 BPM | ||
Concerto in D Major, Op. 6 No. 1: IV. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 72 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
Canzoni et sonate: Canzon No. 16 a 12 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 1 | 6A | 87 BPM | ||
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
Suite in G Major: III. Courante | Robert de Visée, Yasunori Imamura | D♭ Major | 0 | 3B | 86 BPM | ||
Whitehall Minuet: Whitehall Minuet | John Playford, Wolfgang Katschner, Lautten Compagney | D♭ Minor | 2 | 12A | 105 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM |
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