John Ward, Pro Cantione Antiqua, Geoffrey Mitchell's 'Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease' had a release date set for March 17, 2023. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease by John Ward, Pro Cantione Antiqua, Geoffrey Mitchell is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn II - Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | A♭ Minor | 1 | 1A | 78 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
When David Heard | Robert Ramsey, Gallicantus, Elizabeth Kenny, Gabriel Crouch | A♭ Minor | 1 | 1A | 80 BPM | ||
Quis dabit oculis?: II. Heu nobis Domine | Costanzo Festa, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 76 BPM | ||
Giunto a la tomba | Giaches de Wert, La Venexiana, Claudio Cavina | B♭ Minor | 1 | 3A | 115 BPM | ||
Yellow Flowers | Orquesta de la Academia del Gran Teatre del Liceu de Barcelona, Cece Giannotti, Alex Warner, Eva Díaz, Jean-Paul Dupeyron, Jean-Paul Wabotaï, John Ward, Antonio Da Silva Oliveira "Mü", Sam Lardner, Maria Chapman, Alex Gaspa, Gaby Katz, Joe Lewis, Freddy Wort | C Minor | 4 | 5A | 89 BPM | ||
Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
XXVII. Er sprach zu mir (Martin Luther, Nun freut euch, lieben Christen g'mein) | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM |