- BPM
- 80
- Key
- A♭ Minor
- Camelot
- 1A
When David Heard - Robert Ramsey, Gallicantus, Elizabeth Kenny, Gabriel Crouch Information
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 8%
- Instrumentalness
- 48%
- Liveness
- 11%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 9%
- Loudness
- -21.269 dB
Summary
"When David Heard" by Robert Ramsey, Gallicantus, Elizabeth Kenny, Gabriel Crouch was released on September 1, 2010. The duration of When David Heard is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. When David Heard's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Dialogues of Sorrow by Gallicantus, Elizabeth Kenny, Gabriel Crouch. When David Heard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
When David Heard BPM
The tempo marking of When David Heard by Robert Ramsey, Gallicantus, Elizabeth Kenny, Gabriel Crouch is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
When David Heard Key
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | |
 | Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | |
 | Cantata "Christ lag in Todesbanden", BWV 4: "Den Tod niemand zwingen kunnt" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Minor | 1 | 12A | 111 BPM | |
 | Selig sind, die da geistlich arm sind | Johann Hermann Schein, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 81 BPM | |
 | Missa Pro Defunctis: Kyrie 1 | Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini | B Minor | 1 | 10A | 129 BPM | |
 | 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | |
 | Guerrero: O Virgo Benedicta | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | |
 | Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | |
 | Illumina faciem tuam | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 136 BPM | |
 | Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5888640880584717
End: 0.5947041511535645