"Hosanna to the Son of David" by Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore was released on February 6, 2012. The duration of Hosanna to the Son of David is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Hosanna to the Son of David's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in A New Heaven : 1000 Years of Sacred Choral Music by Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore. Based on our statistics, Hosanna to the Son of David's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hosanna to the Son of David by Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Platée, RCT 53: Formons les plus brillants concerts | Jean-Philippe Rameau, Ex Cathedra, Carolyn Sampson, Jeffrey Skidmore | D♭ Major | 1 | 3B | 81 BPM | ||
All people clap your hands | Thomas Weelkes, Sidney Sussex College Choir, Cambridge, David Skinner | E Major | 3 | 12B | 89 BPM | ||
Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Requiem - Herbert Howells: I. Salvator Mundi | Dale Warland Singers | G Major | 0 | 9B | 85 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM |
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