"Motet Jesu Meine Freude (Bwv 227)" by Musica Amphion, Gesualdo Consort Amsterdam was released on February 1, 2012. With Motet Jesu Meine Freude (Bwv 227) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Musica Amphion, Gesualdo Consort Amsterdam's "J.S. Bach - Jesu, Meine Freude" album is number 11 out of 29. Motet Jesu Meine Freude (Bwv 227) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Motet Jesu Meine Freude (Bwv 227) by Musica Amphion, Gesualdo Consort Amsterdam to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O dolce anima mia, dunque e pur vero | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | A♭ Major | 0 | 4B | 114 BPM | ||
Concerto in B-Flat Major, Op. 6 No. 5: I. Adagio - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 143 BPM | ||
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
St. John Passion, BWV 245: Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist, Jesus) – Jesum von Nazareth (Chorus) – Recitative: Jesus spricht ze ihnen (Evangelist, Jesus) – Jesum von Nazareth (Chorus) – Recitative: Jesus antwortete (Evangelist, Jesus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 102 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata No. 4 in D Minor, Z. 805: II. Canzona | Henry Purcell, Musica Amphion | B Minor | 1 | 10A | 102 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Isorhythmic Motets: Nuper rosarum flores | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 136 BPM |
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