John Dowland, Pro Cantione Antiqua, Ian Partridge's 'Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding' had a release date set for March 17, 2023. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding by John Dowland, Pro Cantione Antiqua, Ian Partridge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces pour théorbe, Suite in G Major: II. Chaconne | Robert de Visée, Xavier Diaz-Latorre | G Major | 1 | 9B | 123 BPM | ||
Ayres for the Violin (arr. for guitar): Aria II | Nicola Matteis, Pierre Pitzl | B Major | 0 | 1B | 99 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Trattado de glosas: Recercada No. 4, "La gamba" | Diego Ortiz, Piffaro | E♭ Minor | 1 | 2A | 120 BPM | ||
Basse dance :La Roque: (Attaingnant) | Edward Martin | C Major | 1 | 8B | 79 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM |