Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge's 'Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie' had a release date set for March 17, 2023. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 36 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie by Thomas Ford, Pro Cantione Antiqua, Christopher Wilson, William Hunt, Ian Partridge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM | ||
Zefiro torna e di soavi accenti | Claudio Monteverdi, Capella De La Torre, Katharina Bauml | G Major | 1 | 9B | 93 BPM | ||
Pro Tetuu Kapraňovou | Pavel Jurkovič, Hana Blažíková, Martina Bernášková, Kateřina Ghannudi, Jan Krejča, Martin Rudovský | G Major | 0 | 9B | 68 BPM | ||
Ehtooveisu | Alexander Arkhangelsky, Tampere Orthodox Choir, Johtajana Risto Matsi | F♯ Major | 1 | 2B | 128 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Dark November | Speech to Mortals | D Major | 0 | 10B | 133 BPM | ||
Greensleeves (II) | John Johnson, Baltimore Consort | F Major | 1 | 7B | 90 BPM | ||
Lullaby for a sister | Héloïse Werner, Colin Alexander | C Minor | 0 | 5A | 78 BPM | ||
The Galiard | Thomas Ford, Hille Perl, Friederike Heumann | E Minor | 1 | 9A | 101 BPM | ||
Stabat Mater: I. Stabat Mater | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM |